I thought the whole approach/methodology was insightful. But Improv was a great tool for clarity.

Chris Snow
Writer

It was a pleasure working with you and getting such valuable feedback on my writing!

Olesia Shewchuk
Writer

With Sceneplay I saw a key character evolve from passive suitcase to an engaging and dynamic driver of the scene. The process significantly deepened his relationship with the second key character, enriched the entire script and made the scene do three times the work in the same number of pages. In short, the writing went from okay to brilliant in less than an hour.

Geof Miller
Producer, Development Consultant

One of the parts of the program that was most valuable for me was the distinction between needs and objectives.

John Baird
Writer

One of the most useful parts of the process, was hearing audience reactions to the scene, and getting that on tape so that I can later go over what worked as funny and what didn't play through.

Olesia Shewchuk
Writer

Sceneplay did a GREAT job! In their hands, scenes suddenly came to life. Pages of earnest dialogue transformed into vital, personal moments. Instead of characters self-consciously speaking the story's theme, the theme was revealed naturally through action. The whole process gave writers new possibilities and a more authentic place to draw from.

John Jacobsen
Director/Instructor
The Film School

It got me to think more deeply about my characters and their motivations.

Jenn Hopkins
Writer

I was very impressed with the presentation and the professionalism of the actors. Watching another writer's work was valuable, but there was something very thrilling and accessible and embarrassing in watching my own scene. With the direction it became clear that every scene boils down to what the characters want. It's one of the questions I'll ask myself every time I write now. It was a pleasure working with you and getting such valuable feedback on my writing!

Olesia Shewchuk
Writer

I thought initially that my scene was pretty good. I thought it was the strongest scene in my script, but once you and the actors started working on it I realized that the scene was missing something, was flat. The actors made the scene really pop right off the bat. In the end, I did implement the basic principals presented in the working of the scene throughout the rest of the character's development. It sent the story and the character into whole new direction which made the story much more compelling.

Dannul Dailey
Writer



Irresistible Pitching: How to Attract a Frenzy of Read Requests

Imagine going to a pitch festival and walking away with more than one request to read your script. Five or six would be great! A dozen might leave you giddy. But how about getting 41 read requests? That would be a game-changer. It could launch your career. And that’s exactly how many requests Geof and Troy received at their last pitch festival. From there they went on to land four Hollywood deals. In this series of videos they’ll reveal their insider secrets to turning the pitching process into a consistent, reliable machine. Learn more about this breakthrough course here.



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